#Ergonomics

3 Reasons Why the X-Pro3 ... is NOT for Me!

So I’ll spare y’all the trouble & cut right to the chase: After playing a bit with Fuji’s newest creation (borrowed from an early adopter photographer friend), I came up with 3 reasons why the new X-Pro Three is NOT for me:

  1. The weird “hidden” LCD, in combination with

  2. The “forgotten” D-pad, and last but not least

  3. The “crippled” OVF (Optical View Finder)

If youse are interested in my uninfluenced & unbiased opinion, please read on! In case you’re intrigued by all the hype around the new X-Pro3 and contemplating getting one, I hope this will help you to decide for y’self before spending your hard earned cash on something you may regret … For starters see below an image taken with my trusted and beloved X-Pro2 (who’s real happy it ain’t gonna be replaced anytime soon ;-)

Bikes in contre jour, captured on X-Pro2, with XF 18mm F/2 @F/4, 1/2700 sec, ISO 200, -1EV

Now before I get “shot down” by the Fuji fan-boys out there who can’t handle anyone disagreeing with what “their” brand is doing and/or need to justify their own purchase decision, please hear this disclaimer: This is my website where I share my opinion, whether you like it or not. Why? Coz I can. I ain’t no “X-Photographer”, nor a “Fuji Influencer”, and also no “Brand Ambassador”, who all seem to feel obliged to follow their master’s voice: Repeating marketing mumbo jumbo ad nauseam in the hope of animating people to buy an in my opinion flawed concept … Having said that I do have to say I commend Fuji for having the guts to try something new in a somewhat saturated market and bringing out a highly controversial & polarising proposition. Refreshing. And not at all mainstream. No sir. But just a step too for far for my liking! Missing the for me most important attribute of a camera of getting outta the way of my creative photographic process. My X-Pro2, X-H1 and GFX50R all have that capability. The X-Pro3 don’t. Sorry. With their whole range Fuji up to now aspired to create serious photographic tools, but this one undoubtedly has been born outta a more ‘hipster’ kinda philosophy!

Let’s dive a bit more into the 3 initially mentioned reasons: Fujifilm’s first strike is the weird “hidden” LCD screen, where the usually visible LCD screen is replaced by a digitally simulated film box tab harking back to yesteryear’s analogue photography equipment. Maybe a fun feature for a couple minutes but then decidedly becoming an annoying gimmick. Annoying because if I want to review my image I gotta fumble with the camera to first fold out that LCD screen which then awkwardly sticks out exposed from the camera at a weird angle, getting me more worried about breaking it off. Hey, I’d prefer to have the main feature (image review on LCD) immediately accessible without having to fold anything out, rather than seeing this weird film tab / exposure settings display, which don’t really add any value to my photographic process

See, the main innovation of the digital age over the analogue era (which I grew up with) was the ability to instantly review your image (if needed), rather than sweating it out until your developed films came back from the lab a week later. This “immediate review” capability had a significant positive impact on accelerating my photographic learning process as I could improve the composition & exposure in real time & on location rather than trying to fix it in the darkroom afterwards, especially with fast changing subjects / lighting situations like in the below image with 4 walking girls backlit by the late afternoon sun:

Walk into the light, with XF 35mm F/2 on X-Pro2 @F/8, 1/320 sec, ISO 200

So Fujifilm wants to change the way we take photographs … all that talk about the X-Pro3’s “hidden” LCD on their website, making the photographer concentrate more on his image & somehow magically enabling a more “pure, raw photography” (whatever that’s supposed to mean … ?). For me this seems more like a case of “if you can’t fix it feature it”. Well, y’all can be sure I ain’t gonna let nobody prescribe to me if, when or how often I look at my display! Seriously, if you really think you need a hidden LCD to stop you checking and/or adjusting your image to become a better photographer and you think a traditional LCD’s the reason why you never liked your images, then I guess you you got a real problem & don’t really have a clue what you’re doin’ … One more small remark on the sideline: The X-Pro3’s ingenious hidden/folding LCD collides with my quick release plate when using a tripod, so I could only fold it out to 90° (nearly broke it too then) …

But then Fujifilm’s second strike is an even more strange design choice, completely incomprehensible in my view in conjunction with the “hidden” LCD: They went along and simply “forgot” the D-Pad. Gone. Missing. Deleted. WTF? Ok, so my GFX50R also ain’t got no D-Pad, but there I can at least use the touch screen LCD to access my 4 most used functions (Face/eye Detection Setting, AF-Mode, ISO and Photometry). But on the X-Pro3? Sorry. No joy … oh yeah, coz that one’s LCD is usually hidden! Great. Did you forget? Well, the fan boys & ambassadors got all the answers: “… at first I missed the D-Pad, but then I got used to it, coz it gives me a more ‘pure’ photography experience …”. Sure, you can use the menu button and the joystick to surf the menu’s in the electronic viewfinder, but that completely disrupts the photographic process IMO. I just needed 2 fluid motions on my X-Pro2’s D-Pad to change the AF-Mode for the image below:

Sun reflecting in contre jour façade, seen by X-Pro2, with XF 35mm F/2 @F/8, 1/950 sec, ISO 400, -1EV

Last but not least Fujifilm’s third strike is the X-Pro3’s “crippled” direct vision optical viewfinder (OVF). In my opinion this is a significant evolutionary step back from my X-Pro2. Crippled? Yeah, well it don’t change its magnification any more when using different focal lengths. Instead of the X-Pro2’s 0.36x and 0.6x magnifications which switch, depending on which lens you attach to the camera, the X-Pro3 compromizes on only one fixed 0.52x magnification, optimised for the 23mm focal length. This compromize means I couldn't really judge the framing in the OVF when using my beloved XF 18mm F/2 anymore (especially losing the ability of seeing what’s going on outside the frame - ideal for street photography). On the other hand the frames in the OVF became too small when using my XF 35mm F/1.4 or XF 56mm F/1.2 that I can’t really use them for careful portrait compositions anymore either. Although the X-Pro3’s viewfinder image is larger than the X-Pro2’s it don’t help if it can’t be used properly with certain focal lengths - those of youse who prefer shooting with 16 or 18mm wide angles using the OVF will probably be frustrated with the decision to limit the magnifications. Apart from that the infinity indicators are now also missing, meaning you lose any indication of where your AF point will be at distances larger than your current focal position - so, no way of predicting were the AF-frame will jump when refocussing from near to far. Even the X-Pro3’s electronic viewfinder (EVF) having a larger resolution & refresh rate, it’s limited OVF options make the the hybrid viewfinder lose some of its appeal. For the below image I needed to use the EVF to keep the sun just outside of the frame:

Bus stop in contre jour, discovered by X-H1 and XF 14mm F/2.8 @F/8, 1/120 sec, ISO 200

Well, I needed to get that out. Don’t get me wrong, I’m sure there will be many out there who will love the Fuji X-Pro3’s controversial design and I wish them all the best & lots of fun with it. Originally the X-Pro line was intended for wedding & professional photographers, however in my view there’s nothing professional about the above mentioned drawbacks & limitations. So I get the impression that here overhyped marketing and an army of “ambassadors”, maintaining that only the X-Pro3 enables the user to experience “raw, pure photography” are being used to influence people to purchase an in my opinion flawed concept. So I hope that presenting my differentiated view will help to counter a bit of the marketing hype around this camera

You don’t agree? No Problem, go out and be happy with your X-Pro3, I wish you all the best! You don’t know? Then I strongly advise you to try the camera out carefully before you hit the buy button, to see if you can live with its quirks. You agree? Then you are also one of those for whom the camera should get out of the way of your creative photographic process. Whatever, I’d love if you’d share your opinion in the comments section below. Looking forward to a lively discussion!

One final thought - I hope the guys over at Fuji are reading this: PLEASE Fuji don’t repeat the “hidden” LCD thing on the upcoming successor of the X100F (X100V)! Give us an updated 23mm F/2 lens, weather sealing and a normal tilting touch screen LCD, that would be THE street photographer’s dream! Hey, we then could even live without a D-Pad (it’s ok on my GFX50R too …)

Wish y’all good shooting & a very nice Sunday!

Best regards,

Hendrik

If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Renovatio, Fuji's X-H1 is a Reincarnation!

Renovatio”? What’s that? Ok, it’s the name of a beautiful, sleek 118ft motor yacht designed by Luca Bassani, featured in the cool 2005 science fiction thriller “The Island” (directed by Michael Bay, starring Ewan McGregor & Scarlett Johansson). Yeah, right. And what’s all this gotta do with photography? Well, you will be surprized! Please read on if interested, but first some shades of grey with lovely tonality:

The final curtain, Fuji X-H1 with XF 35mm f/1.4R @f/2, 1/100 sec, ISO 400 using ACROS-R JPEG

It was the beginning of the 80’s. I was working as a photojournalist, following my lens wherever it chose to take me … lugging 6-7 lb’s of kit around in the process (with 2 second hand Nikon F2AS’s & several primes …). For me the Nikon F2 was the greatest picture taking machine of all time (albeit being a bit on the heavy side), see this nice review: I got nothin’ to add to that! Believe me, I tried most of what came thereafter: Nikon’s F3, F4 & F5; a couple Minolta’s; Leica’s M4P & M6; Hasselblad’s 500C/M; Olympus’ OM 1, 2 & 4Ti; Canon’s 5D mk I & II; Fuji’s X100S, T & F; Fuji’s X-Pro’s & X-T’s 1 & 2; Nikon’s D850, … most good, some exceptional … but none had the same special feel-in-hand I´d once experienced with my F2. Not even my D850 - even I absolutely adore the images coming off that one. So, what is it that stops all of them a bit short? Difficult to say, it’s kinda a combination of weight & balance, size, ergonomics and feel-in-hand with an intuitive, clear operation. When the stars align like that the camera really gets outta my way when taking photos (it kinda “disappears” from being in-between your idea, the subject and the resulting image ;-) and you start to see things you normally don’t see, like the patterns on the tables in the image below:

Rainy tables, Fuji X-H1 with XF 14mm f/2.8 @f/8, 1/180 sec, ISO 400 using ACROS-R JPEG

Enter the Fuji X-H1. According dictionary.comReincarnation means “rebirth of a soul in a new body”. For me the Fuji X-H1 was it. A reincarnation. Finally a camera came along which elicits a similar feeing as I had with my F2. It just “clicked”, I mean literally (y’all just gotta listen to the X-H1’s shutter!). And the weird thing is, this was a camera I initially wasn’t even interested in … thinking it was a kinda weird in-between the chairs of mirrorless and full frame. Too big. Too heavy. Not too good looking either … and only for video junkies, I thought. Didn’t even wanna take it in hand at first! But then fate called. I discovered nasty sharpening artifacts in some of my Fuji’s X-E3’s JPEG’s (see here). Dang. Couldn’t use my beloved ACROS film simulation no more, coz that only works on JPEG’s!

Now what? Get an X-Pro2? Again? No. Sold it coz it’s got a too narrow EVF & didn’t feel comfortable in hand - always needed that MHG (accessory hand grip) thing strapped to it, to at least “get a grip” (pun intended ;-) But with the grip the shutter button ended up in an awkward position. So, back (again too) to the X-T2? Or get the new X-T3? Nope. Same problem with grip and shutter button placement. And the buttons on the back where too small & in all the wrong places for me. So, that left me the X-H1. No way out if I wanted ACROS & didn’t wanna sell my Fuji lenses. OK OK - might as well give it a shot … and I immediately had a couple “excuses” ready to justify that little bout of GAS (Gear Acquisition Syndrome). In case all this creates the urge in any of youse to also go out and buy an X-H1, you are free to use my excuses to convince your wife, partner, parents, grandma, or anyone else who needs convincing ;-)

  • The X-H1’s got IBIS (In Body Image Stabilization), at least something …

  • Great ergonomics: Fits in hand like a glove, with my index finger’s directly on the shutter button!

  • “Feather touch” shutter release allowing immediate, intuitive and discrete image capture

  • Fantastic, fluid EVF with sufficient long eye point for wearers of glasses

  • More robust / weather resistant (25% thicker chassis, feels similar “tight” as my Nikon F2 did)

  • And bluetooth

  • And touchscreen (which I´d gotten used to on my X-E3), allowing another 4 custom functions

  • And … “drumroll” … more than 600 bucks discount (vs. original RSP). NOW we’re talking !!!

So …

Wow the wife: “Hey honey, I got myself an X-H1!”, shot with X-H1 and XF 14mm f/2.8 @f/8, 1/60 sec, 800 ISO

I pulled the trigger, traded in my X-E3’s and got m’self an X-H1! In the following I´d like to share my first experiences with “The Beast” (I call my X-H1 like that, coz it looks a bit like something outta a Warcraft video game ;-)

As a sneak preview, please see the below image which wouldn’t have happened without stabilization (1/45 sec hand held on a 24 MPix sensor w/o bracing the camera’s asking for trouble & I didn’t wanna up the ISO), or without a touchscreen flippy LCD (didn’t need to look thru the viewfinder & could quickly select the focus point and immediately take the shot):

Coffee & smoking outside! Fuji X-H1 with XF 35mm d/1.4 @f/2, 1/45 sec, ISO 800 using ACROS-R JPEG

24 MPix? There’s one curse with the megapixels … Yep, more MPix gets you more details, but the smaller pixel pitch to pack the larger number of pixels on a same size sensor means that the camera’s more sensitive to motion blur. Imagine moving a running garden hose over one large bucket vs. moving it over two smaller buckets. While the water level in the larger bucket will uniformly rise only slightly, the two smaller buckets will end up with visibly different water levels. Similar to this analogy the same nanometers of motion blur on sensor will be seen as movement over 2 smaller neighboring pixels, but will not register as movement over one larger pixel (having a diameter larger than the length of the motion blur)

Yeah, right. Switching from my 16 MPix Fuji X100T to my 24 MPix X100F earned me approx. 30% more blurred images … Now this is where Fuji’s X-H1 image stabilization comes in: Allows me to use a 2-3 stop longer shutter speed than the usual 1/2x focal length rule (at least for reasonably static images). The result is more use-a-bility and the ability to extend your tripod-less photographic time in a day! So, for those of youse who’ve been patiently following my ramblings up to here I got good news: I’ll soon publish a follow-up post explaining my preferred settings for mx X-H1 (aka “The Beast”) and showing how a clever allocation of functions to buttons can further streamline the X-H1’s operation and make it even more intuitive!

Tables for diamonds, Fuji X-H1 with XF 14mm f/2.8 @f/8, 1/60 sec, ISO 400 using ACROS-R JPEG

There are a couple flies in the ointment though … For some the increased size & weight of the X-H1 is deviating too much from the original Fuji evolution to revolution story (for me it was still OK though, due to the improved grip & button position ergonomics). However the reduced battery capacity due to IBIS is a pain in the neck (even with IBIS in shooting only mode) - you gotta either use the battery power grip (which finally pushes the X_H1 size & weight into DSLR territory) or fill your pockets with spare batteries. Didn’t measure it, but subjectively 30% shorter battery life compared to X-T/X-Pro … you gonna need ‘em ;-)

I hope y’all enjoyed reading today’s blog post as much as I enjoyed writing it, and that you found some for you valuable insights during your visit here. Thanks for your interest & hope some of you will share your experiences or ask any questions you may have in the comments section below. Wish y’all a great weekend with exciting photographic opportunities!

Many thanks & all the best,

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!