#APS-C

LOL ... Lines of Light, the X-Pro2 Rediscovered!

LOL … “Laughing out Loud” in internet speak, but now it seems to have worn off & they ain’t sure no more what it stands for … So I thought I’d advocate a new meaning for it: How ‘bout LOL = “Lines of Light”. Amazing! For sure this is gonna “go viral” now ;-) … Let’s see, please read on to find out why!

Lines of Light, seen with X-Pro2 and XF35 mm F/1.4R @F/8, 1/550 sec, ISO 200

Lines of Light, seen with X-Pro2 and XF35 mm F/1.4R @F/8, 1/550 sec, ISO 200

Hang on … X-Pro2? Didn't he flame that one in this post some time ago? Claustrophobic narrow viewfinder, camera too large, etc.? Yeah, but somehow I seem to keep coming back to the rangefinder-esque style of the X-Pro. Maybe the combination of an optical and electronic viewfinder, like on my X100F - with the possibility to see “outside the frame”? Or the left-sided position of the viewfinder allowing you to view the world thru both eyes and not hiding your face behind the camera, thereby creating a more intimate atmosphere with your subject in people photography? … Possibly. For me however, the main reason must be the X-Pro2’s sensor and its wonderful rendering, just like on my X-H1! Look at the image below - you just gotta love the transparency of the sun’s rays streaming thru the last remnants of morning fog, drawing parallel lines to the trees’ shadows on the ground!

Sun’s rays thru the fog follow the shadows, X-Pro2 with XF18 mm F/2 @F/8, 1/14 sec, ISO 200, +1 EV

This was a RAW image developed in Capture One, unbeatable if it’s about recovering details from outta those inky shadows. As most of youse know I only do RAW development on a few difficult hi-contrast images. Otherwize I mostly stick to JPEG´s which I slightly tweak in Lightroom (Curves & Levels), where the X-Pro2´s X-Trans III sensor and Fuji’s ACROS simulation with its beautiful tonality dependent grain engine create wonderful film-like JPEG’s! I guess another reason I’m sticking with the X-Pro2 now is my worry that its successor slated to come out end of this year may have a more aggressive JPEG processing pipeline, like I recently discovered on Fuji’s X-E3 (halos around small details even with JPEG sharpening turned all the way down). Any such future development would make it difficult for me to continue my beloved ACROS-R & JPEG based workflow!

3 steps to heaven, X-Pro2 with XF35 mm F/1.4 @F/8, 1/180 sec, ISO 200

Also above image is dominated by a pattern of diagonal lines. On this one I had to use the X-Pro2’s EVF (electronic viewfinder) to find the exact position from where all the elements didn’t interfere which each other!

I hope y’all liked the post & enjoyed spending some time here, thanks for visiting & please leave me your thoughts in the comment section below (or on my about page). Many thanks & wish you great photographic opportunities for the next week! Best regards,

Hendrik

If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Fuji X100F in a Little Black Dress - Rediscovering Love!

OK, some of youse was worried I was gonna leave Fuji for good when I went full frame last May (pls see here). And in June I finally traded in my last bit of Fuji kit (“Irene”, my silver X100F) to help pay for one of those dang expensive full frame prime lenses. Yep that undoubtedly was a fan-tas-tic lens (y’all can read about that one here), but parting with my X100F really did give me a heavy heart … So, many thanks for your kind comments (especially @TheFujiGuy!), expressing hope that I’d return to the Fuji family. Some day (after all the “X” in my logo is the Fuji X!). Please read on for the story!

Now the day has come: I’m back together with Irene again, and this time she’s wearing an elegant little black dress 😉! Sometimes you need to experience losing something to appreciate its value! Below I’ll share my motives behind it all, what accessories I use & how I see APS-C stacking up vs. full frame and medium format!

The chair, as seen with Fuji X100F, 23mm @f/5.6, 1/100sec, ISO400

Nope, the above image can't exclusively be taken with a Fuji X100F. Any halfway proficient photographer using a camera with reasonable resolution and a decent lens can do it. Ain't the point. More important is whether you have an appropriate camera with you at all. Of course, when you're on a planned photo shoot, you got your big full frame pro DSLR kit weighing tons with you - then such images would for sure be no problem. But you can't (and don't) lug those around everywhere & all the time, right? Get a rut cut into your neck and/or shoulders for your trouble … So, I tried to get the same image with my iPhone 8 & didn't get nearly such wonderful tonal gradations nor image clarity …

This is what the magic of the X100F (or similar large sensor, small package solutions) is all about! This type of camera can. be. with. you. ALWAYS! Anytime. And it is just so much better than my iPhone! Always having a hi-quality compact camera with you alone allows for unexpected charming photographic opportunities, you'd otherwize miss. Serendipitous encounters: People don't even notice there’s a camera together with the adults in the room (couldn't resist that one 😉 - please stay tuned for a dedicated future blog post on that topic!)

The black version of Fuji’s X100F is particularly stealthy. OK, the silver version on the other hand is a more retro/beautiful eye catcher hipster kinda thing (always good for starting a chat with strangers, as I'd experienced many times). But I need my camera to enable me to discretely observe, so it was the little black dress for me, ain't she sharp now 😎? Hey, it’s like when your girl dresses up nice for a night out - you fall in love with her all over again! Please meet her below:

Back together with “Irene”, my Fuji X100F!

For those of youse interested, I like to pimp my X100F with following accessories / equipment, please click the links for more info (of course these are just my personal preferences, your taste might differ):

  • SanDisk Extreme Pro 95MB/s UHS-I class 10 64GB SD Card (the X100F don't support UHS-II)

  • Fuji NP-W126S Li-Ion Rechargeable Battery (1 in camera, 2 spares - good for a long day ;-)

  • Fuji AR-X100 Adaptor Ring (don't use the lens hood much coz it blocks the on-board flash)

  • B+W 49mm XS-Pro UV Haze MRC-Nano 010M Filter (for fingerprint & dust protection)

  • Lensmate concave red Soft Release Button (better control of “the decisive moment” ;-)

  • Lensmate 100T black Thumb Grip (don't like the folding one for the X100F & the X100T one fits)

  • Artisan & Artist ACAM-102 black Camera Strap (very soft & takes up little room in the bag)

  • Fuji LX-100F Brown Leather Case (only use the bottom half, the front part is too much hassle)

  • Black Rapid SnapR 35 small padded bag (I think this one’s not available anymore)

  • LaCie 2TB DJI Copilot BOSS ext. HDD (control via iPhone, don't need a Mac while traveling)

Yes I know some of the above (batteries, adaptor ring, thumb grip, case, …) are available from no-name brands at lower prices, but I’ve always been a stickler for branded accessories. After all you wouldn't buy the girl of your life crappy shoes from a cheapie discount store to go with that exclusive Chanel evening dress you got her for X-mas, would you? (at least you’d learn veeeery fast that wunt’ve been a good idea after the first try …). Anyways everyone can decide for themselves onto how thin ice they wanna venture 🙃!

OK ‘nuff said about the gear, after all at the end only the images you make with it count! I loved how the late afternoon sunlight sculpts objects outta the black inked shadows in the below picture of my mom’s lounge:

The lounge, captured with Fuji X100F, 23mm @f/5.6, 1/450sec, ISO400

So what about the format comparison? Also on full frame I often use a 35mm f/1.4 (which “compares” to the X100F’s 23mm field of view). I love this focal length for its storytelling character, w/o any “wide angle” effects or distortions but a wonderful intimacy with the subject. I have to be honest with y’all here: Even my D850 @46MP has 1.4x the linear resolution of my X100F @24mp (and nearly 4x the price mind you, with the AF-S 35mm f/1.4G), but I gotta work really hard to make the difference visible in the final images (I done some direct comparisons which are a real compliment to Fuji’s little 23mm f/2 aspherical lens, but this is something for a future post, pls let me know if you're interested)

The X100F ‘s APS-C sensor has one major advantage vs. full frame in that I can shoot at much lower shutter speeds w/o hitting motion blur territory: 1/15sec is about the lowest I can reliably go on my X100F (leaf shutter), while on my Nikon (focal plane shutter & mirror) it becomes a hit & miss game with less than 1/60sec (2 stops more!). OK I was cutting it fine here, the below image @1/17th is just a shade before being borderline blurred ;-)

Locked & loaded, Fuji X100F, 23mm @f/2.8, 1/17sec, ISO3200

So y’all might say: If he’s so crazy about image quality & the the 35mm full frame equivalent field of view, why dunt he get himself a medium format, like the Fuji GFX 50S or R just come out? Yeah, right I was debating that one for a while … Now if you just ignore the even higher price gap of best case (GFX 50R with 45mm f/2.8) a factor of 4.5x vs. the price of the X100F for a while, the bigger issue from my p.o.v. is that going medium format would force me to sacrifice another 2 stops of light eating shutter speed. How so? Let's assume we keep the ISO at the same level, photographing a scene at f/2 and 1/15sec with my X100F would require at least 1/125 on the GFX - one stop more than full frame to prevent motion blur & another stop coz the the medium format 45mm GFX lens has a one stop slower max. aperture of f/2.8 compared to the X100F's f/2. So in total were talking 4 (four!) stops less handholding shooting capability than my X100F here! Summarizing, see below the comparable handholding scenarios for an equivalent field of view:

  • Fuji X100F with fixed 23mm f/2 aspherical lens @f/2 and 1/15sec = Baseline

  • Nikon D850 with AF-S Nikkor 35mm f/1.4G @f/1.4 and 1/60sec = 1 stop less handhold capability!

  • Fuji GFX 50S/R with GF 45mm f/2.8 R WR @f/2.8 and 1/125sec = 4 stops less handhold capability!

OK, so to be fair you do get more resolution & dynamic range outta the larger sensors. But what's the point if your image is blurred, making you lose the shot? For me the combination APS-C for candids and full frame for landscape, architecture, beauty is the better deal! Don't need medium format. Curious what you think!

Enjoying the winter sun, Fuji X100F, 23mm @f/4, 1/950sec, ISO400, on board fill flash w/o correction

Last but not least, I love taking pics of my pretty wife (she must be the most photographed person on the planet …). A small camera like the X100F is much less present (also coz with an electronic shutter it’s totally quiet), much less intrusive & much more intimate, resulting in so much more natural pictures. Mostly she don't even notice, but with a full frame DSLR banging away I often got a “Jeezus, again a photo” look 🙄 … Another reason I rediscovered my lost love for Irene, my Fuji X100F (and my wife’s not even jealous 😅)

So, I hope y’all enjoyed my ramblings - just leaves me to wish you’ve all had a very nice X-mas celebration together with your families / loved ones & will all enjoy a great new & successful year 2019! Have a wonderful holiday season! Many thanks for visiting my blog and for your constructive comments / suggestions,

Best regards,

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!