#streetphotography

Street Night, with Nikkor AF-S 58mm f/1.4G

Just a few images off the street with my absolute favorite ever lens, the Nikkor AF-S 58mm f/1.4G! I love the discrete perspective this lens gives me. Images with gorgeous bokeh & tonality. Please read on if you’re interested in how to capture intimate, natural positive images of street life around you!

Two walkers before the gate. Nikon D850 & AF-S 58mm f/1.4G @f/2, 1/45 sec, 3200 ISO

Look at the tonality in the above image: From inky shadows still disclosing details to delicate highlights framing the two walkers thru the gate. Amazing how I still got a full range of gray tones in between the black & white extremes - too stark contrasts would’ve given the image a too ominous look ;-)

Thoughtful, captured with Nikon D850 & AF-S 58mm f/1.4G @f/2, 1/125 sec, 2500 ISO

The Nikon D850 thankfully has a flippy rear screen and a reasonably good working live-view function allowing me to take pictures much more discreetly, without needing to look thru the viewfinder (similar to a medium format camera with a waist-level finder). This and the lower position of the camera results in more pleasing & natural images taken from a better perspective. Combined with the slightly narrower field of view of the AF-S 58mm (vs. a normal 50mm) you get a great framing of life around you from a more respectful distance of 3-5 feet. I remember when I was photojournalist, my go-to focal length was a 28mm wide-angle. To fill the frame I had to get right into peoples’ faces, which they didn’t really appreciate (apart from the unflattering distortion evident in the resulting images)

Empathy, observed with Nikon D850 & AF-S 58mm f/1.4G @f/2, 1/90 sec, 3200 ISO

3D auto-focus face tracking over nearly the full frame in live-view frees you from the limited focus point coverage in the optical viewfinder. The fast focus acquisition even in low light conditions allows you to use a larger aperture, creating a pleasing separation from an otherwize distracting background. This is not possible if you use the so-called “zone-focussing” method which requires a small aperture to give you sufficient depth-of-field. That again drives you ISO thru the roof and/or leads to motion blur causing longer shutter speeds. As you can see in the above and below image this enabled me to capture fleeting expressions or emotions of people, resulting in spontaneous images full of life!

Evening drinks, taken with Nikon D850 & AF-S 58mm f/1.4G @f/2, 1/125 sec, 3200 ISO

As you can see on my blog my images are mostly land- or cityscapes. But I also love to observe people & capture their emotions and interactions! Like in the image below where what the girl on the right is saying seems to elicit some skepticism in the girl on the left! Or what do you think?

Scepticism after shopping, seen with Nikon D850 & AF-S 58mm f/1.4G @f/2, 1/125 sec, 720 ISO

With these “Street Night” images I’d like to thank y’all for visiting and for your interest. Looking very much forward to your comments, questions and suggestions - please leave a note either in the comments section or send me a message! Wishing youse a great Sunday evening & a good start into the new week …

Best regards,

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

The Waiting Place ... Use Your Fuji X100F!

For people just waiting: "Waiting for a train to go. Or a bus to come, or a plane to go. Or the mail to come, or the rain to go. Or the phone to ring, or the snow to snow. Or waiting around for a Yes or No. Or waiting for their hair to grow. Everyone is just waiting" - excerpt from the poem Oh, the Places You'll Go!, by Theodore Seuss Geisel (aka Dr. Seuss), featured in the fantastic movie Fracture, by Gregory Hoblit, starring Anthony Hopkins & Ryan Gosling). Yep. Mostly, waiting is delaying action in expectation of a time or event. If you wanna find out what this has to do with photography, please read on!

Waiting for the plane to go, Fuji X100F @ f/5.6, 1/20sec, ISO 1600, developed in LR CC mobile

When someone waits for something, they are so fulfilled by the expectation, looking forward to it so much that they hardly allow themselves to experience the wait. It is a state of lacking the event one is waiting for, not realizing that doing something productive while waiting will shorten the waiting time. That's why I always got my Fuji X100F with me. While waiting I love spending the time observing people around me, finding patterns, "connecting the dots", so to say. Like in the above shot, where the two women's postures and expressions were mirrored while waiting for departure of their flight

Waiting for the hair to grow, Fuji X100F @ f/5.6, 1/12sec, ISO 1600, developed in LR CC mobile

And in the above image I fancied how the signpost with 2 opposing arrows separates static waiting on the right from blurred motion of people trying to do a selfie on the left!

What I love about this camera is that nobody notices it. It allows me to capture life's moments in real time without people reacting to the camera. Ok, capturing that reaction can also be interesting, but then you're basically documenting peoples´ reaction to yourself and/or your camera rather than reporting the scene as you experienced it! 

Waiting for a Yes or No, Fuji X100F @ f/4, 1/55sec, ISO 1600, developed in LR CC mobile

Like this airline official's friendly answer to the travelers´questions. Capturing this kind of interactions are for me the essence of street photography. The X100F is ideal for this, with its 35mm FF equiv. field of view and quiet leaf shutter. The only thing I miss is weather resistance and a tilting screen (Hey Fuji, you readin' this?), which would allow me to be even more discrete (by enabling me to accurately frame subjects without needing to lift the camera to my eye)

Please let me know your comments or questions below (or leave me a note on my about page), I will be most happy to answer them as soon as possible. Many thanks for visiting & hope you enjoyed the read, best regards

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Into the Light, with Fuji X100F !

Aren´t we photographers all seekers? Always searching for the best. Always experimenting, trying, testing. Best images, best light, best gear, best software, best deal, best whatever? Last week´s favorite turning into this week´s dog? To those of youse been following me, relying on me to stay true: I´m sorry, ashes on my head, I lost it. Really. I´m leavin´ my trail & gettin´ outta my comfort zone. Hey, I kid you not: just recently I was singin´ praise for just doing ACROS JPEG´s & an easy workflow. Now I´m sold on doing RAW´s in Capture One! Interested why? Please read on!

Into the light, found by Fuji X100F´s 23 mm, processed in Capture One "with Style" ;-) !

At least some consolation: I´m still a black & white guy! Color´s just not my thing, Never been. I always look for the light. And shadows. And contrast - color´s just in the way. Found out that´s why I never liked developing RAW´s in Lightroom & Co. Hated seeing my black & white´s appear as color thumbnails (And no, I´m not into cosmetics ;-) kinda disrupts my workflow...

Together but still alone, captured by Fuji X100F, 23 mm, developed in Capture One B&W style

That all changed when a window popped up on my Capture One workspace the other day, advertising "Styles" ("Jeezus, Spam", I thought. OK, just get rid of it ...). But C1´s promise kinda intrigued me & I clicked the "Learn more" button! First thing I "learned" was that this was gonna cost me like 80 Dollars. What? 80 bucks? Whoa daddy, a kinda steep price for a bit of learning!

500 shades of grey, seen with Fuji X100F, 23 mm, developed with BW-15 (grey) style in C1

But luckily they got a freebie samples download with one "BW-15 (grain)" style, which I activated in my Capture One´s import menu (together with auto adjust). This automatically imports RAW´s into C1, does some basic dynamic range optimization, applies this BW-15 (grain) style and spits out be-ooti-ful black & white thumbnails in C1´s browser plane

Stairway alley, Fuji X100F, 23 mm and Capture One with BW-15 (grey) style

The real surprise comes when you open ´em and just tweak exposure, contrast, brightness and levels a bit: Into the Light is all I can say. And the gradation & grain´s close enough to by beloved ACROS, it´s got MOJO, man! See below image of my lovely wife during a recent trip to Sicily:

Italian fashion shoot with Fuji X100F, developed in Capture One BW-15 (grey) style

I hope y´all enjoy these images & experiment for y´self, it´s easy. And fast. No Lightroom where you can go have lunch while its processing. So, if you got any questions or suggestions, like or not like the images, or wanna share your stories, please leave me a note in the comments below or on my contact page! Thanks for stopping by & wish a great weekend!

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

First Walk with Fuji 23 mm f2 - Mother of Lenses !

Finally Fuji did it & finally it´s here: The "mother of all lenses". The 23 mm f2 WR. How long have we been waiting for Fuji to give us a compact standard wide-angle for their interchangeable lens cameras, just like on the legendary X100 series ? Was it worth the wait ? Please read on !

Walking with the 23 mm f2 WR on my Fuji X-Pro2

Now I can ´fess up: Never really liked that 35 mm focal length (50 mm FF equiv.) - always either not long enough or too short, jack of all trades but master of none ... I loved the 23 mm (35 mm FF equiv.) on my X100T but could never get to terms with the 23 mm f1.4 on my X-Pro. Too heavy. Too big. Too obvious (and covering half of my OVF - hey, an elephant could hide behind it and you´d be in for a nasty surprize when you reviewed your image ;-)

Then when Fuji announced it was gonna give us a compact WR f2 - I ordered it right off the bat and settled in for the long wait. Now it´s here & I´m in heaven - This lens beats everything. Period. Image quality´s already stunning at f2 & gets even better on stopping down. And it don't get in your way, compact enough so youse can always take a camera just with one lens along with you. Always, anytime. No more excuses, no sir !

Late Afternoon Fence, 23 mm f2 WR on Fuji X-Pro2

Operation´s perfect, aperture ring with just the right resistance & clear clicks (although I must say there is a slight spread between samples - the first one I tried was a tick too tight). The focus ring is wide enough to justify using it now & then, in case you ever get tired of the lightning fast, spot-on autofocus ... Oh yeah, I gotta say: This one focusses real fast, like faster than all the other Fuji lenses I´ve known ! I prefer the Wide/Tracking focus mode: Don´t worry, be happy ! And the vented lens hood of the 35 mm f2 also fits, yay !

Dark Facades, captured by 23 mm f2 WR on Fuji X-Pro2

Last but not least: Field of view´s just perfect for reportage, street photography, storytelling, landscapes, environmental portraiture - just about everything, except the kitchen sink (and even that one will look good ;-) ! Yup, the images taken with this lens have a special quality for me - I discovered it´s got a slightly larger field of view (around 2° more) than what i had on the 23 mm f1.4 or the 23 mm f2 on the X100T !

So is there anything I don't like about this lens ? Normally I´m kinda critical ´bout my gear & easily find something or other to bitch about. In this case it´s a real challenge - IF I had to say something: Bokeh´s not as nice as on the 23 mm f1.4 & I sometimes miss that additional stop of light in dark corners ... but you can't have ´em all, right ?

Closed ... the deal on the new 23 mm f2 WR !

To sum it up, this IMO is THE must-have lens for every Fuji shooter - if you can only have one lens (like the "desert island lens"), this is it ! You get stellar image quality, it´s fast, silent, compact, light, water resistant & ain´t got no OVF intrusion - at a very reasonable price. OK, you need f1.4 or can't live w/o best-in-class bokeh (on a wide -angle) and don't need the WR, nor mind the size & weight ? Then go for the 23 mm f1.4, by all means - luckily Fuji gives you the choice !

Thanks for reading, hope y´all liked it. Please let me know if you got any questions or comments - you know where to find me !

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !

Adobe´s got the best RAW converter for Fuji X-Trans now, or what ? Part 1

Recently I got this pop-up on my MAC informing on new Creative Cloud App updates, so I downloaded ´em & was looking at some high contrast images after import using Lightroom´s ACR (Adobe Camera RAW). Here FYI the JPEG SOOC, with totally jacked highlights & shadows:

Dogging the Fountain - Fuji X-Pro2, WR 35mm/f2, JPEG SOOC: Jacked highlights & shadows !

But when opening the RAW´s with ACR - what the ... ??? ;-) Hey, could it be that Adobe´s now finally gotten their Fuji X-Trans rendering act together ? Intrigued by this performance I decided to (again ... yawn ;-) compare Adobe´s Camera RAW (included in Lightroom & Photoshop CC) with the best external RAW converters out there (Iridient & Photo Ninja) - ya just gotta keep on your toes here ;-) please read on if interested !

I´ve been using Photo Mechanic for culling / key-wording & Lightroom for (mobile) image management / processing since way back, so obviously a built in RAW converter would have major advantages for my workflow compared to an external one (no more needing to export & copy back in, nor splitting image processing over 2 bits of software, etc.)

I´m posting this in 2 instalments: 1. Highlights & Shadows Performance (this post), and 2. Detail & Sharpening (coming up soon !)

Let´s start with Highlights & Shadows Performance. Although aesthetically the SOOC JPEG quite faithfully rendered what I´d originally visualised at time of capture the highlights & shadows are like totally blown out. So I was interested how much detail I could pull back into the image during post processing:

To do this I basically first maxed out the highlights recovery and then pushed the shadows by slightly increasing exposure until just before the highlights started blowing out again (thereby keeping an eye on not losing too much contrast). See below the comparison & results !

1. Adobe Camera RAW in Photoshop CC:

This one I liked the most:

Highlight & Shadows compression using Photoshop CC´s built in ACR RAW converter

Dunno why, but i seemed to get a slightly better rendering outta Photoshop´s built in version of ACR than LR´s (maybe the PS ACR interface is better, or I was too dumb or lazy to get 100% the same result with Lightroom´s built in ACR ...). Here a 100% crop view showing vastly improved shadows & highlights areas vs. the JPEG:

100% Crop of Photoshop´s ACR rendering

2. Adobe Canera RAW in Lightroom CC:

Nearly as good (yeah, right - both platforms use the same Adobe Camera RAW built in RAW converter):

Highlight & Shadows compression using Lightroom CC´s built in ACR RAW converter

Here a 100% crop view showing the improved shadows & highlights areas, with slightly less contrast in the shadows whereas highlights seem to have a bit more detail ...

100% Crop of Lightroom´s ACR rendering

3. Iridient Developer:

Iridient is amazing in its ability to bring out detail with a unique & careful sharpening of Fuji X-Pro2´s files, but I was quite shocked to see that its highlight & shadows detail recovery seems to be limited:

Highlight & Shadows compression using Iridient´s external RAW converter

Compared to ACR the highlight head room is quite limited, meaning I have less "foot" room available for pushing the shadows, before the highlights blow (compare the crack between the tiles on bottom right with the ACR versions):

100% Crop of Iridient´s rendering

4. Photo Ninja:

This one I liked the least - highlight head room seems a bit better than Iridient, but didn't matter what I did, i just couldn't manage to bring out more shadow detail (it always kinda remained a dark soup). Also Photo Ninja does not react on EXIF lens correction parameters, you get the total image (see the additional details at the image borders), but the image is still distorted:

Highlight & Shadows compression using Photo Ninja´s external RAW converter

And here the details - highlights OK´ish but the black dog just remains a black silhouette:

100% Crop of Photo Ninja´s rendering

Sorry, did´t have no more access to Capture One & never used Raw Therapee so those two are not covered here ...

Interim Conclusion: Adobe´s ACR wins the dynamic range battle !
(please also check out part 2 soon for details & sharpness comparison and for the final conclusion)

From a highlights & shadows recovery point of view the benefit of not needing to use external RAW converters seems to be an achievable target, Adobe´s ACR is doing an excellent job here ! OK I´d not push it that far for a fine art print to preserve the visual impression of the original situation, but good to know there is room for manoeuvring !

I hope this was an interesting read for all you Fuji fans out there - please leave me a comment in case you´ve any questions and/or suggestions ! Many thanks for looking by & wish y´all good light !

Best regards

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !

Fuji X100T - Fly on the Wall!

In my DSLR days people resented me shoving that "Big Mean Photo Taking Machine" into their faces, but I felt it to be my god given right as photojournalist to do so! The resulting images however always came out kinda "staged", behavior & reality changed by my presence. Since I've downsized to my Fuji X100 I can feel much more like the proverbial "Fly on the Wall", unobtrusive, fast, silent! Please read on, if you're interested how!

Holy walk in Bologna

With a fixed lens camera I don't anymore waste time fussing over focal lengths & secure speed by zone focusing (letting the camera adjust auto ISO). This allowed me to capture above image in the spur of the moment!

The order

Also had only seconds to capture this one, of the friendly lady engaged in avid discussion with the waiter - no need to manipulate the scene or ask people to stage anything!

Enjoying the sun

This guy was enjoying the evening sun in Sardegna, when the other guy on the right suddenly appeared! In these situations the Fuji X100T's optical viewfinder (OVF) helps to predict the decisive moment, as you can see what's happening outside the actual frame & evaluate when the picture elements will come together harmoniously

Early boat

With this image of passengers wondering what the horizon will bring I close shop for today & hope y'all liked this post! All images were post processed on my iPad, using my mobile workflow described in previous posts. Please let me know your thoughts by leaving a comment below, or sending me a message via my "about" page! Many thanks for looking by & my best wishes,

kind regards,

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !